Material sheet

Multilayer zirconia

A graded disc that moves from a warmer cervical body to a lighter, more translucent incisal edge, so monolithic work reads naturally without layering.

Zirconia disc held in the milling machine while an arch is cut

Fig. 01

Graded translucency, warm at the neck and lighter at the edge

Published details

Class

Zirconia

Restoration types

Crowns, bridges and full-arch work

Finish options

Monolithic polished, or stained and glazed

Appearance

Graded translucency, warm at the neck and lighter at the edge

Typical use

Anterior and posterior monolithic restorations

Stated turnaround

5

working days

Shade system

16 classical shades and 3 bleach shades

Digital submission

Open STL or PLY files, or your scanner platform

In the laboratory

How the bench works with it.

Multilayer zirconia is the material we mill most. The gradient is built into the disc, so the position of each restoration in the blank decides how much incisal translucency it carries. We nest every unit by hand for that reason.

How we finish it

Posterior units are polished to a high lustre. Anterior units are stained and glazed in thin firings, with surface texture cut before the first glaze so the light breaks the way enamel does.

Good to know

Tell us the stump shade on your prescription. It changes how we position the unit in the disc.

02

Selected work

Work in this material.

Bench studies photographed in the studio before dispatch.

02

Selected work

Work in this material.

Bench studies photographed in the studio before dispatch.

Enquire

Ask the bench about this material.

Tell us the restoration you have in mind. A technician who works with this material every day will reply with options, finish and timing.

This form is for introductions. Case files and scans travel through your secure submission route once you are set up.

Create a free website with Framer, the website builder loved by startups, designers and agencies.